![]() ![]() To elements derived from the information or the elements referred to above) if this information or these elements are protected by copyright or other intellectual property rights, without the permission of the holder of these rights being obtained. if that would constitute a criminal offence or might lead to public liability claims or if that would incite others to commit acts that might constitute such an offence or might lead to such claims Moreover, you are forbidden to transmit, publish, reproduce or disseminate on the Present Sites any information or elements: The copying, reproduction, extraction, commercialisation by sale, hire, distribution and any other form of making the Content of the Present SitesĪvailable to third parties for any purpose, commercial or non-commercial, whatsoever in its entirety or in part as well as, more generally, any use inconsistent with the nature of the elementsĬontained on the Present Sites is strictly forbidden. OF THE PRESENT SITES OR FROM THE CONTENT AVAILABLE OR REFERRED TO ON THE LATTER OR ON ANY OTHER SITE WHICH YOU MAY ACCESS VIA THE PRESENT SITES, EVEN WHERE IT HAS BEEN ADVISED OF THE CANNOT IN ANYĬIRCUMSTANCES BE HELD LIABLE FOR DAMAGE OR LOSSES OF ANY KIND, INCLUDING INDIRECT, SPECIAL OR ACCIDENTAL DAMAGE OR LOSS, RESULTING DIRECTLY OR INDIRECTLY FROM THE USE OR PERFORMANCE It is entirely your own responsibility to make sure that the websites which you choose to access are free from any destructive elements, including viruses.Įxcept where the user can demonstrate the existence of a serious infringement or of fraud with a direct causal link to the loss or damage suffered, KAPITOL S.A. gives no guarantee regarding the other websites to which the Present Sites give Of counterfeiting, merchantability or suitability for a particular purpose. With regard to this information, it gives no guarantee of a lack takes reasonable measures to ensure the accuracy of the Content of the Present Sitesīut it cannot guarantee that the information accessible via the above-mentioned links is accurate or complete. Is in no way liable for the content of the sites to which they take you. only provides these links for your convenience and The Present Sites contain links that permit access to websites not managed or controlled by KAPITOL S.A. GIVES NO WARRANTY WHATSOEVER, EITHER EXPRESS OR IMPLIED, EITHER TO YOU OR TO THIRD PARTIES, REGARDING THE CONTENT OR THEĮLEMENTS ASSOCIATED WITH THE PRESENT SITES AND IN PARTICULAR GIVES NO GUARANTEE OF A LACK OF COUNTERFEITING, MERCHANTABILTY OR SUITABILITY FOR A PARTICULAR PURPOSE. CANNOT BE HELD LIABLE TO YOU OR A THIRD PARTY FOR ERRORS OR OMISSIONS OF ANY KIND ADVERSELY AFFECTING THE CONTENT OR THE ELEMENTS ASSOCIATED from various sources, it is provided to you as it is, given the elements available.Įxcept where the user can demonstrate the existence of a serious infringement or of fraud with a direct causal link to the loss or damage suffered, However, since the Content hasīeen put together by KAPITOL S.A. undertakes to ensure the accuracy and reliability of the Content of the Present Sites. It was directed by Yen Chun, whose assistant at the time was future Shaws acclaimed director, Li Han-hsiang.KAPITOL S.A. Coming to Hong Kong in 1949, he serpentined through the postage-stamp colony as a proof-reader, writer, actor and graphic draftsman, getting his first cinematic job with the design department at the Great Wall Film Company which led to his acting gig as an extra in the company's production of Humiliation for Sale (1955). And it all started at Shaw Brothers.īorn Apin Beijing, China, Hu enrolled at the National Art Institute in Beijing where he developed his appreciation for traditional Chinese history and opera. ![]() A leader among filmmakers, with his cinematic approach and fight choreographical aesthetics, Hu changed the direction of swordsman films and set the standard for all martial art stylized action movies to come. Appropriately, his name was King Hu (aka Hu King-chuan or Hu Jinquan). ![]() ![]() Then one man came along, waved his magic scalpel and gave Hong Kong cinema a much needed face-lift. In the 1960's, there was such an over production of Cantonese wu xia films (knight-errant movies with heroes possessing fantastical martial arts powers), resulting in mediocre productions which threatened the survival of the martial art film. ![]()
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